€ 40,72 – € 562,76
| EU countries | |
| Giclée print on canvas | ~ 7 workdays |
| Giclée print on canvas, framed | ~ 7 workdays |
| Giclée print on paper | ~ 7 workdays |
| Giclée print on paper, framed | ~ 8 workdays |
| Giclée print on dibond | ~ 9 workdays |
The canvas we use for giclée prints is made of high-quality poly/cotton with a beautiful white top layer and an even structure.
Our 12-color pigment ink printers (giclée printers) guarantee the highest possible quality. As the pigment inks are resistant to UV radiation, they do not discolor. We therefore give a 100% color guarantee.
A giclée print on canvas is manually provided with several layers of matte varnish. The advantage of varnishing is that the colors come out beautifully and that it offers extra protection against UV light and scratches. Thanks to the protective varnish, the top layer can be wiped off with a damp cloth.
The stretcher frame consists of wooden stretcher bars made of first-class sustainable finger-jointed/laminated spruce wood (PEFC certified). The canvas is stretched by hand onto the stretcher frame.
On the inside of the stretcher there are recesses for the wooden skewers. Use the wedges to easily re-stretch the fabric if necessary. The fabric is of course stretched when delivered; a suspension system is included.
Frames suitable for canvas
A 12-colour giclée print on 320g Fine Art watercolor paper. The pressed watercolor paper has a clearly textured surface.
Have it professionally framed
A framed giclée on watercolor paper is glued on a self-adhesive plate. This prevents the paper from bulging. The reproduction is then expertly framed in a frame of your choice. The frames are supplied with clear acrylic glass as standard. We use acrylic glass to prevent glass damage during transport.
Frames suitable for watercolor paper
Dibond — also known as alu-dibond — is a three-layer sandwich panel. The material consists of two aluminum outer layers with a polyethylene core layer in between.
The giclée print on clear white paper is provided with a wafer-thin transparent matte foil layer, which offers extra protection against UV light, splashes and dirt. It is then professionally finished on the self-adhesive dibond plate.
A giclée on dibond is supplied loose or framed. A dibond without a frame is equipped with an aluminum U-profile as a suspension profile on the rear of the panel. One advantage is the distance of about 1.5 cm between the wall and the artwork which thus looks as if floating.
We have wooden baking frames especially for the dibond. A suspension system is mounted at the rear of the box frame.
Frames suitable for dibond
About the original
Artist: Lovis Corinth
Title: Still Life with Chrysanthemums and Amaryllis
Year: 1922
Original size: 121 × 96 cm
Original material: Oil on canvas
| Weight | N/A |
|---|---|
| Dimensions | N/A |
| Product | |
| Size | 30×40 cm, 40×60 cm, 55×70 cm, 60×80 cm, 75×95 cm, 35×45 cm, 50×65 cm, 65×85 cm, 70×90 cm |
| Framed | Frame black, Frame blanc, Frame colonial, Frame gold, Frame white, None |
